15 OUTUBRO > 18h30 MIRA artes performativas Rua Padre António Vieira, 68, Porto (english below) ENCONTRO COM 18h30 <> Katerina Andreou I see choreography as a game about staging and displaying free will: the paradox of organizing a structure for disobedience. This display would be an attempt to explain what I mean by this phrase and get a closer look to my relation to dance as a tool of achieving more misunderstanding than intentionality. 19h15 <> Lilia Mestre Whatever. ourselves, the building, to sense with, to write with. I’m interested in places of convergence between sensing, doing and thinking and to find a co-habitation a play ground of attentions. for the past years, in the frame of the post -master a.pass (advanced performance and scenography studies), I have been developing scores to bring together in conversation different artistic practices, to remain and sustain the place of the ‘figuring out’ or the ‘figuring with’ and to raise questions that don’t lead to answers but to processes. _BIOGRAFIAS_ KATERINA ANDREOU Katerina Andreou é performer e coreógrafa de Atenas e vive na França. Formou-se na Universidade de Direito de Atenas e na Escola de Dança da Grécia. Frequentou o mestrado ESSAIS em investigação e coreografia na CNDC d ‘Angers, sob a direção de Emmanuelle Huynh. Participou no projeto TRANSFABRIK, uma investigação sobre a curadoria na França e na Alemanha, dirigida por Franz Anton Cramer e Yvanne Chapuis. Andreou é membro do colectivo Emanticipation, iniciado por Emmanuelle Huynh e François Quintin. Ela colaborou com DD Dorvillier, Lenio Kaklea, Dinis Machado, Emmanuelle Huynh, Anna Gaiotti, Ana Rita Teodoro. A sua última produção A kind of fierce foi premiada com o Prix Jardin d’Europe no ImpulsTanz Festival 2016. LILIA MESTRE Lilia Mestre (Lisboa, 1968) é uma artista e investigadora de artes performativas baseada em Bruxelas, onde trabalha principalmente em colaboração com outros artistas. Ela interessa-se pela prática artística como uma ferramenta de mediação entre os vários domínios da existência semiótica. Seu principal médium é a dança e coreografia. Mestre trabalha com assemblages, scores e estratégias inter-subjetivas como artista, curadora, dramaturga e professora. Ela foi co-fundadora e coordenadora do Bains Connective Art Laboratory. Desde 2008, foi mentora, orientadora de workshops e curadora associada do programa a.pass ((advanced performance and scenography studies), onde tem vindo a desenvolver uma pesquisa em scores como uma ferramenta pedagógica com o nome de ScoreScapes. Desde 2017, é co-diretora e coordenadora artística do a.pass. SYMPOSIUM DE PRÁTICAS ARTÍSTICAS, 2ª EDIÇÃO mais info em: www.spa.mezzanine.pt _____english 15 OCTOBER > 18h30 MIRA artes performativas Rua Padre António Vieira, 68, Porto MEETING WITH 18h30 <> Katerina Andreou I see choreography as a game about staging and displaying free will: the paradox of organizing a structure for disobedience. This display would be an attempt to explain what I mean by this phrase and get a closer look to my relation to dance as a tool of achieving more misunderstanding than intentionality. 19h15 <> Lilia Mestre Whatever. ourselves, the building, to sense with, to write with. I’m interested in places of convergence between sensing, doing and thinking and to find a co-habitation a play ground of attentions. for the past years, in the frame of the post -master a.pass (advanced performance and scenography studies), I have been developing scores to bring together in conversation different artistic practices, to remain and sustain the place of the ‘figuring out’ or the ‘figuring with’ and to raise questions that don’t lead to answers but to processes. _BIOGRAPHIES_ KATERINA ANDREOU Dancer and choreographer from Athens, based in France. She graduated from the Law University of Athens, and the Greek State School of Dance. She attended the master program ESSAIS on research and choreography in CNDC d’ Angers, under the direction of Emmanuelle Huynh. She participated in the project TRANSFABRIK, a research on curating in France and Germany, directed by Franz Anton Cramer and Yvanne Chapuis and was member of the collective Emanticipation, initiated by Emmanuelle Huynh et François Quintin. She collaborated with DD Dorvillier, Lenio Kaklea, Dinis Machado, Emmanuelle Huynh, Anna Gaiotti, Ana Rita Teodoro. Her last dance piece A kind of fierce was awarded with the Prix Jardin d’Europe in ImpulsTanz Festival 2016. LILIA MESTRE Lilia Mestre (Lisboa, 1968) is a performing artist and researcher based in Brussels working mainly in collaboration with other artists. She interested in art practice as a medial tool between several domains of semiotical existence. Her principal medium is dance and choreography. Mestre works with assemblages, scores and inter-subjective set ups as an artist, curator, dramaturge and teacher. She was co-founder and coordinator of Bains Connective Art Laboratory. Since 2008 she has been mentor, workshop facilitator and associated program curator at a.pass (advanced performance and scenography studies) where she has been developing a research on scores as pedagogical tool titled ScoreScapes. From 2017 on she’s apass co-director and artistic coordinator. ARTISTIC PRACTICE SYMPOSIUM, 2nd EDITION more info at: www.spa.mezzanine.pt
