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Uma Cobra Naturalmente Falsa | Evy Jokhova & Mané Pacheco

Uma Cobra Naturalmente Falsa | Evy Jokhova & Mané Pacheco

INAUGURAÇÃO / OPENING

A Galeria Balcony e as artistas Evy Jokhova & Mané Pacheco têm o prazer de convidar que no dia 29 de Maio abrirá ao público a exposição "Uma cobra naturalmente falsa”, curadoria de Ana Cristina Cachola. Esta exposição teve a colaboração da Galeria 3+1. Contamos com a vossa presença entre 14h00 e as 19h30.

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Balcony Gallery and the artists Evy Jokhova and Mané Pacheco are pleased to invite you that on May 29 the exhibition “A Naturally false snake” will open to the public. Exhibition curated by Ana Cristina Cachola and in collaborations with 3+1 Gallery. We count on your presence between 2 pm and 7:30 pm.

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EVY JOKHOVA

Evy Jokhova (Suiça, 1984) vive e trabalha entre Lisboa, Londres e Viena. Jokhova é uma artista multidisciplinar cuja prática dedica-se aos diálogos e relações entre a antropologia social, a arquitetura, a filosofia e a arte. Através do desenho, escultura, instalação, som, vídeo e performance, procura colmatar as lacunas entre as diversas áreas e as suas estruturas hierárquicas inerentes. 

Obteve o seu MA Fine Art da Royal College of Art (2011) e MA Political Communications de Goldsmith College (2013). Jokhova recebeu os prémios de Arts Council Individual Grants Award (2018), Royal Academy Schools Fellowship (2016-19), Royal British Society of Sculptors Bursary Award (2017-18), Wien Kultur Förderung (2017) e Amsterdam Fonds voor Kultur (2018). 
Das suas residências artísticas contam-se Belvedere Museum Vienna (2017), Yarat Contemporary Art Space (2018), BijlmAIR Amsterdam (2017), Villa Lena (2017), Nida Art Colony (2017) e Florence Trust (2008-09). 
Exposições individuais: Between these lines I operate, Galeria Foco (Lisboa 2019); Weighed down by stones, Lily Brooke (Londres 2018); I dance for you my edifice, l’etrangere (Londres 2018); The Shape of Ritual, comissionado pelo Belvedere Museum (Viena 2017); How to live together, CBK Zuidoost (Amsterdão, 2018); Towering in the conditions of fragments, Passen-gers (Londres 2017); Staccato, Marcelle Joseph Projects (Londres 2016). 
Exposições coletivas recentes: On Photographic Beings, Latvian National Museum (Riga 2020); Nuovo Cinema Galleria, Galeria Vera Cortes (Lisboa 2020); Boundary Layers, Yarat Contemporary Art Space, (Baku 2019); Prevent this Tragedy, Dateagle / Vongoetz Art (Londres 2018); The Garden, Lisa Kandlhofer Galerie (Viena 2018); Contemporary Sculpture Fulmer, William Benington Gallery (Londres 2018), Better Living: Tenderflix film festival, The Horse Hospital (Londres 2017) entre outras. 
A artista é responsavel desde 2014 pelo projeto Allotment – uma investigação colaborativa que explora as relações sociais e cultura política através da comida. 
Os trabalhos de Evy Jokhova fazem parte de coleções públicas tais como British Government Art Collection, Reino Unido; Lafayette College Library, EUA; Royal College of Art, Reino Unido; e Royal Shakespeare Company, Reino Unido.

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EVY JOKHOVA

Evy Jokhova is a multi disciplinary artist whose practice engages with dialogue and relationships between social anthropology, architecture, philosophy and art. Working with drawing, sculpture, installation, sound, film and participatory events, Jokhova aims to bridge gaps between these fields and their inherent hierarchical structures.

Born in Switzerland to Russian/Estonian parents, Jokhova lived in Soviet and post-Soviet Russia, Austria, Estonia and the UK. She is currently based between Lisbon, London and Tallinn. Her multi-cultural background and exposure to diverse social and political structures in altering states of flux and stability form the backbone of Jokhova’s research and practice, that investigates the relationships between things, how social behaviour can be altered through architectural construction, body memory and the relationship between building, body and mind. Exploring social narratives and remembered ‘truths’, Jokhova questions her own subjective role in and relationship to society, history, landscape, architecture and public ‘signifiers’ such as monuments. The complex relationships between the perceived, the imagined and the accepted norm are driving factors in Jokhova’s multi-facetted practice which is also often supported by anthropological fieldwork and interviews.

Jokhova works on a project-by-project basis. Recent projects include: ‘The Shape of Ritual’ – a project exploring the relationship between sound, architecture and the body through transcribing buildings into music and then into dance; and ‘I dance for you my edifice’ –  a project that investigates our relationship with stone — as ‘historical constant’ whose significance is simultaneously entwined with ancient mythology and contemporary obsessions with materiality and synthesis through site-specific installations comprised of interactive sound sculptures, images and performances.

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MANÉ PACHECO

Mané Pacheco (Portalegre, 1978), vive e trabalha em Lisboa. Estudou e trabalhou na área de Ambiente/Educação para a Sustentabilidade, actividade que manteve a par das formações em Desenho (SNBA), Pintura (Ar.Co) e da Pós-Graduação em Design Urbano (Centro Português de Design e Universidade de Barcelona). Aos 28 anos ingressou na FBAUL, onde terminou o curso de Arte Multimédia com a Distinção de Mérito da Universidade de Lisboa e o Prémio BPI/FBAUL 2010. Foi professora assistente na Escola Superior de Teatro e Cinema (ramo Design de Cena).

A sua prática desenvolve-se de forma interdisciplinar, onde as diversas áreas de formação convergem num corpo de trabalho artístico (desenho, escultura, instalação, vídeo, fotografia, performance) conectado com esta diversidade de interesses.

Expõe regularmente desde 2010, ano em que participou no Festival de Landart Cascais e na ‘Residencia Artística para Creadores de Iberoamérica y de Haití en México’ (Fondo Nacional para la Cultura), tendo exposto no Museo Diego Rivera-Anahuacalli e no Centro Cultural de España en México. Salienta-se ainda a participação recente em exposições no Museu Colecção Berardo, Museu Nacional de Arte Contemporânea do Chiado, Galeria Municipal de Almada, Drawing Room Lisboa, Galeria Balcony, Galeria Zé dos Bois, Museu de Arte Contemporânea de Elvas, Bienal Anozero’19, Casa das Artes Bissaya Barreto (Coimbra), Museu das Artes de Sintra, Galeria ‘O Armário’ e In Spite Of - Porto.  Está representada em várias coleções das quais se destacam a Coleção António Cachola, William Allen Word and Image, Galeria Zé dos Bois e Museu das Artes de Sintra.

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MANÉ PACHECO

Mané Pacheco (Portalegre, 1978), works and lives in Lisbon. She studied and worked in Environment and Education for Sustainability, something she maintained as she trained in Drawing (SNBA), Painting (Ar.Co) and Urban Design Postgraduate studies (C.P.Design/University of Barcelona). At 28 she enrolled at Faculty of Fine Arts of Lisbon, where she graduated in Multimedia Arts distinguished with a merit scholarship from the University of Lisbon and the BPI/FBAUL 2010 Award. She was assistant professor at the School of Theatre and Cinema (Stage Design course).

Her practice is multidisciplinary where all her training areas merge into an artistic body of work (drawing, sculpture, installation, video, photography and performance), connecting such diversity of interests.

Mané Pacheco have been regularly exhibiting their work since 2010. The same year she had a commissioned work at Festival Landart Cascais and represented Portugal in the Artistic Residency ‘Creadores de Iberoamérica y de Haití en México’ (National Fund for Culture and the Arts - FONCA), exhibited at Museo Diego Rivera-Anahuacalli and Centro Cultural de España en Mexico. Recently, her work was included in group exhibitions at severall spaces such as Museu Colecção Berardo, Museu Nacional de Arte Contemporânea do Chiado, Drawing Room Lisboa, Galeria Balcony, Galeria Zé dos Bois, Museu de Arte Contemporânea de Elvas, Bienal Anozero’19 - Coimbra, Galeria Municipal de Almada, Casa das Artes Bissaya Barreto (Coimbra), Museu das Artes de Sinta, Galeria ‘O Armário’ e In Spite Of - Porto. Mané’s work is represented in several collections, including William Allen Word and Image, António Cachola Collection, Galeria Zé dos Bois and Museu das Artes de Sintra.

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É obrigatório o uso de máscara individual bem como o cumprimento das normas impostas pela DGS a respeito do distanciamento social. Só serão permitidas 10 pessoas em simultâneo no interior da galeria.

It’s mandatory to wear an individual mask as well as to comply with the rules imposed by the DGS regarding social distance. Only 10 people will be allowed simultaneously inside the gallery.
Recomendamos que confirme toda a informação junto do promotor oficial deste evento. Por favor contacte-nos se detectar que existe alguma informação incorrecta.
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